Tony Wilson 6Tet
A Day's Life
Subtle Lip Can
Reflective Drime
The Peggy Lee Band
Ratchet Orchestra
Dixie's Death Pool
The Man With Flowering Hands
Aeroplane Trio
Naranja Ha
Subtle Lip Can
Subtle Lip Can
Gord Grdina Trio w/ Mats Gustafsson
Barrel Fire
Fond of Tigers
Continent & Western
Creesus Crisis
A Vacant Lot
Tommy Babin's Benzene
Your Body Is Your Prison
The Tony Wilson Sextet
The People Look Like Flowers At Last
Viviane Houle
Escape Through The Trees
The Perilous Beauty of Madness
Jim McAuley
The Ultimate Frog
The Peggy Lee Band
New Code
Butcher/Müller/van der Schyff
Way Out Northwest
Fond Of Tigers
Release the Saviours
The Furniture Moves Underneath
Tony Wilson 6tet
Pearls Before Swine
Escondido Dreams
ZMF Trio
Circle The Path
Francois Houle
Jesse Zubot
Fond Of Tigers
A Thing To Live With
Dark Blue World
Tony Wilson
Horse's Dream
Crouched Head
Crouched Head
The Winks/Tights
Split CD

(high res cd cover here!)

The Peggy Lee Band

1. Invitation
2. Why Are You Yelling?
3. Your Grace (listen!)
4. Chorale
5. Path Of A Smile
6. Not So Far (listen!)
7. Little Pieces (listen!)
8. You Will Be Loved Again
9. Punchy
10. End Waltz

11. Warming

Invitation is the fifth record by The Peggy Lee Band and the second release by the group for Drip Audio. The album showcases the high standard of ensemble playing the group has become known for, as well as outstanding individual performances by the members of the band. Peggy’s compositions and arrangements cover a wide range of musical terrain––haunting melodies and lush harmonies, driving rhythms, and complex sonic explorations; each piece is constructed with the specific talents of the band members in mind.

The ensemble consists of an all-star group of creative Canadian musicians whose collective experience covers jazz, new music, electronica, free improvisation, as well as classical music and pop. Consider the haunting melody and ambient textures of “End Waltz,” the brilliance of Brad Turner’s trumpet on “Path of a Smile,” the collective textural improvisation that opens “Not So Far,” the soulful Kwela inspired guitar of Tony Wilson on “Warming,” Jeremy Berkman’s Berio-influenced statement on “Why Are You Yelling,” the burning jazz tenor of John Bentley on “Punchy,” Ron Samworth’s twelve-string psychedelia on “Little Pieces, van der Schyff’s percussive overture to “Chorale,” as well as the unique take on Mary Margaret O’hara’s timeless “You Will Be Loved Again.” Indeed, this is an ensemble that can do pretty much anything asked of it; and yet it maintains a unique and coherent sound thanks to the long associations between members of the group and a deep collective commitment to Peggy’s music.

Cellist, composer and band leader Peggy Lee resides in Vancouver where she performs with a wide variety of ensembles including the Vancouver Opera Orchestra, the string quartet, Microcosmos and the new music ensemble, Standing Wave. As an interpreter and improviser she works regularly with longtime associates Tony Wilson, Dylan van der Schyff, Ron Samworth, Wayne Horvitz and Robin Holcomb, as well as in a new collaboration with vocalist Mary Margaret O’Hara called Beautiful Tool. In the past, Peggy has performed with the likes of trumpeter Dave Douglas, guitarist Nels Cline (Wilco), guitarist Bill Frisell and Eyvind Kang. With her own group, The Peggy Lee Band, she has been able to develop her compositional skills––the band has released five CDs including the most recent, Invitation.


"Imagine a modern-day Duke Ellington combo spiced up with shards of noise, and you’d be on the right track; it’s music that combines the timeless and the otherworldly in equal measure." - The Georgia Straight

"...there is an overall sense of completeness that makes this a great album, rather than just an assemblage of good songs." - All About Jazz

"…arguably the most prominent improvising musician in the rich musical community around Vancouver." - Pop Matters

"Albums like Invitation are a rare breed. The fifth record by Vancouver cellist Peggy Lee and her band is an accessible, eclectic mix of tender harmonies and angular improvisation that touches on a number of stylistic influences yet remains a strong, cohesive experience." - The Vancouver Sun

"This is music that triggers brain synapses while also sounding pretty." - Bird is the Worm

" album brim-filled with musical grandeur of the highest order. I think I'm just going to turn off the lights and listen to The Peggy Lee Band for the rest of my life..." - Forest Gospel

"This is beautiful music played by master musicians of a sort that is all too rare." - The Province

"The eleven-track recording impressively showcases The Peggy Lee Band as a polished ensemble deftly capable of bringing Lee's compositions and arrangements to life." - Textura

"...melodious, nuanced, creative, with occasionally themes surging in a Post Rock-like manner." - Monsieur Délire

"Inventive and beautiful, and clearly unafraid to take risks." - emusic

Album Review: Pop Matters
Album Review: The Georgia Straight
Album Review: Bird is the Worm
Album Review: The Squid's Ear
Album Review: All About Jazz

Album Review: Something Else!
Album Review: The Vancouver Sun
Album Review: All About Jazz (#2)

Album Review: Forest Gospel

Album Review: The Province

Album Review: Clouds and Clocks
Album Review: Textura
Album Review: emusic

Album Review: Monsieur Délire


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