Sick Boss
Sick Boss
Ron Samworth
Dogs Do Dream
Peregrine Falls
Peregrine Falls
Film in Music
Tell Tale
Fond of Tigers
Tony Wilson 6Tet
A Day's Life
Subtle Lip Can
Reflective Drime
The Peggy Lee Band
Ratchet Orchestra
Dixie's Death Pool
The Man With Flowering Hands
Aeroplane Trio
Naranja Ha
Subtle Lip Can
Subtle Lip Can
Gord Grdina Trio w/ Mats Gustafsson
Barrel Fire
Fond of Tigers
Continent & Western
Creesus Crisis
A Vacant Lot
Tommy Babin's Benzene
Your Body Is Your Prison
The Tony Wilson Sextet
The People Look Like Flowers At Last
Viviane Houle
Escape Through The Trees
The Perilous Beauty of Madness
Jim McAuley
The Ultimate Frog
The Peggy Lee Band
New Code
Butcher/Müller/van der Schyff
Way Out Northwest
Fond Of Tigers
Release the Saviours
The Furniture Moves Underneath
Tony Wilson 6tet
Pearls Before Swine
Escondido Dreams
ZMF Trio
Circle The Path
Francois Houle
Jesse Zubot
Fond Of Tigers
A Thing To Live With
Dark Blue World
Tony Wilson
Horse's Dream
Crouched Head
Crouched Head
The Winks/Tights
Split CD
Jim McAuley - The Ultimate Frog

(high res cd cover here!)

Jim McAuley
The Ultimate Frog

CD 1
1. Improvisation #12
(mp3 excerpt)
2. nika's Love Ballad
3. Improvisation #5 (mp3)
4. November Night
5. Improvisation #1
6. Escape Tones
7. A Ditty for NC (mp3 excerpt)
8. Improvisation #6
9. The Zone of Avoidance
10. Froggy's Magic Twanger (mp3 excerpt)
11. Huddie's Riff (mp3 excerpt)
12. Il Porcellino

CD 2
1. Jump Start
2. Improvisation #9
3. Bullfrogs and Fireflies
4. Successive Approximations
5. Improvisation #11
6. Five'll Get Ya' Ten
7. Work with Warp
8. "no snare!"
9. Improvisation #10
10. Angie Moreli Truly Confesses
11. Okie Dokie
12. For Rod Poole


Jim McAuley's The Ultimate Frog is a two-CD collection of duets between the guitarist and four great musicians: Leroy Jenkins (violin, viola), Nels Cline (guitars), Ken Filiano (bass) and Alex Cline (drums/percussion). The result of these pairings is a diverse and richly textured set of music, which includes quick-witted open improvisations, freeform folk and blues tunes, aching ballads and earthy modal pieces. McAuley is one of those few musicians who are (as Ellington put it) genuinely "beyond category"; his playing is an intensely personal distillation of a huge range of influences--from fingerpicked blues to free jazz, not to mention Arabic oud music and Renaissance lute-song. The Ultimate Frog is a long-overdue collection of work from this too rarely documented master guitarist.

Jim McAuley was born in Kansas in 1946; much to the dismay of his parents, his musical talent showed early, and as a teen he turned his attention to playing acoustic blues guitar. Classical studies, folk guitar and jazz shortly entered the mix; in later years, he also took up kora, charango and oud. In the late 1960s he was a member of a folk-rock group, Mouse; under contract to Capitol Records, the band moved to Los Angeles, only to fall apart before even recording their first album. Stranded, McAuley spent a while as part of producer Don Costa's stable of studio musicians--he's present on albums by Perry Como, Frank Sinatra, and Eydie Gorme, among others--but the experience left him disenchanted, and it wasn't long till he embarked for Europe (first Paris, then Ibiza) for an extended sojourn, concentrating on just "getting next to [his] guitar". Returning to LA in the mid-1970s, he hooked up with the many fine players on the local avant-jazz scene--most crucially, the clarinettist John Carter, who was for a time his mentor. McAuley also connected with the post-Harry Partch microtonalists Erv Wilson, Ivor Darreg and Kraig Grady, an interest that much later bore fruit in the Acoustic Guitar Trio, a collaboration with Nels Cline and Rod Poole exploring just intonation, regular temperament and many other tuning-systems (often simultaneously!). He kept a low profile, supporting himself with gigging and teaching, though one other false start towards a recording career occurred in 1976, when he was signed to John Fahey's Takoma Records, then dropped when the label was sold to Chrysalis. In the 1990s he led a series of disparate groups for Cline's Alligator Lounge series--a constantly mutating project he dubbed "The Gongfarmers" (a gong farmer, if you really must know, is a medieval latrine cleaner). Despite this, McAuley's previous release under his own name, Gongfarmer 18 (Nine Winds), is actually a solo recording. His only other CD to date is the Acoustic Guitar Trio's self-titled debut, released on Derek Bailey's Incus label.

Aside from the leader himself, the musicians on The Ultimate Frog probably need little in the way of introduction. McAuley originally met the late, great Leroy Jenkins (arguably the most important violinist to emerge from the 1960s jazz avant-garde) when the latter's trio with Myra Melford and Joseph Jarman played LA in 2002. Their performances are the closest thing here to conventional free-improv duets. There's no precomposed material: they simply seized the moment and ran, producing some exceptionally searching and fast-moving exchanges. The other three players are key figures from the Los Angeles free jazz music scene, though Ken Filiano is currently based in New York, and nowadays Nels Cline splits his schedule between avant-jazz gigs and his work as a member of Wilco. Many of these tracks involve some loose premeditation or agreed-upon exploration of a specific texture, approach or lick (including some great blues hooks); there are even a few dots-on-paper tunes. What's apparent throughout all four sessions is McAuley's love of the sheer variety and depth of sound he and his partners can create--from the spellbound hush of "Bullfrogs and Fireflies" and "November Night" to the daft hullabaloo of "Froggie's Magic Twanger." The result is a fresh, often spellbinding collection of music that celebrates the improvised moment in all its temporary pleasures and perils. - Nate Dorward (Oct, 2008)


"...a hauntingly heartfelt feat..." - Exclaim!

"...peaceful and rigorous music." - The New York Times

"To the borders of improvisation." - Tokafi

"Beautiful surprises abound throughout this excellent set..." - Paris Transatlantic Magazine

"Improvised music with a deep soul." - Vital Weekly

"Years from now, McAuley’s accomplishments with this set will hopefully be talked about in the highest regard." - Bagatellen

"...this is brilliant work, which knows no boundaries and draws from all." - FFWD (Calgary)

"...a gem." - Hour (Montreal)

"...a rich, 100-minute collection that encompasses free improvs, ballads, and even a through-composed setting or two." - textura

"An intimate experience that surpasses any kind of vacuous virtuosity one might encounter and get fooled by." - Touching Extremes

"...something like an American analogue to the British improviser Derek Bailey." - The New York Times

"McAuley's music has an intensity and emotional charge which puts me in mind of the rich colour-saturation of 1950's film-stock or the heady scent of tropical flowers..." - Signal To Noise

Album Review: New York Times
Album Review: Bagatellen

Album Review: Dusted
Album Review: Tokafi
Album Review: Touching Extremes
Album Review/Feature: Exclaim!
Album Review: Hour
Album Review: Clouds and Clocks

Album Review: Textura
Album Review: Paris Transatlantic Magazine (Scroll Down!)
Album Review: Metal Jazz

Album Review: FFWD

Album Review: Music Emissions
Album Review: Lerterland

Album Review: Free Jazz
Album Review: le son du grisli
Interview: Paris Transatlantic Magazine
You Tube: Jim McAuley Improvises


Acoustic Guitar Trio Review (Jim McAuley, Nels Cline & Rod Poole)

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